Synopsis
Today in 1887, in Little Rock, Arkansas, a baby girl named Florence Beatrice Smith was born. She would grow up to be the first African-American woman to win widespread recognition as a symphonic composer. All that happened under her married name: Florence Price.
Price studied at the New England Conservatory and with the noted American composers Frederick Converse and George Whitefield Chadwick. She settled in Chicago, and, in 1933, the Chicago Symphony premiered her First Symphony. In 1940, THIS music, from her Symphony No. 3, premiered in Detroit. First Lady Eleanor Roosevelt was in Detroit that week, and was so impressed by a rehearsal of Price's symphony that she altered her schedule to stay for that evening's performance, and even wrote about the premiere in her newspaper column, "My Day."
And speaking of Eleanor Roosevelt, on today's date in 1939, which fell on Easter Sunday that year, the First Lady and then Secretary of the Interior Harold L. Ickes arranged for the famous African-American contralto, Marion Anderson, to perform a free, open-air recital at the Lincoln Memorial in Washington, D.C. Anderson had been denied use of Constitution Hall by the Daughters of the American Revolution. 75,000 people attended Marion Anderson's recital at the Lincoln Memorial. Marion Anderson admired Florence Price's work, and sang some of Price's songs and spiritual arrangements, including "Songs to the Dark Virgin," a setting of a text by Langston Hughes.
Music Played in Today's Program
Florence Price (1887 – 1953) Symphony No. 3 The Women's Philharmonic; Apo Hsu, cond. Koch 7518
On This Day
Births
1717 - Austrian composer Georg Matthias Monn, in Vienna;
1846 - Italian-born British composer and vocal teacher Sir Francesco Paolo Tosti, in Ortona;
1887 - American composer Florence Price, in Little Rock, Ark.;
1906 - Hungarian-born American composer and conductor Antal Dorati, in Budapest;
1935 - Finnish composer Aulis Sallinen, in Salmi;
Deaths
1933 - German composer and organist Sigfrid Karg-Elert, age 55, in Leipzig;
1960 - Australian composer and pianist Arthur Benjamin, age 66, in London;
Premieres
1903 - Frederick S. Converse: "Endymion's Narrative" for orchestra, by the Boston Symphony, Wilhelm Gericke conducting;
1916 - de Falla: "Nights in the Gardens of Spain" for piano and orchestra, in Madrid;
1920 - Stenhammar: incidental music for Shakespeare's "As You Like It," at the Lorensberg Theater in Gothenburg, Sweden;
1926 - Varèse: "Amériques," by the Philadelphia Orchestra, Leopold Stokowski conducting;
1942 - Stravinsky: "Circus Polka" at Madison Square Gardens in New York, by the Barnum & Bailey Circus, with M. Evans conducting;
1948 - Barber: song-cycle "Knoxville: Summer of 1915" for voice and orchestra, by the Boston Symphony with Serge Koussevitzky conducting and soprano Eleanor Steber the soloist;
1959 - Benjamin Lees: "Prologue, Capriccio and Epilogue" for orchestra, in Portland, Ore.;
1967 - Ned Rorem: "Water Music"for clarinet, violin and orchestra, by the Youth Chamber Orchestra of Oakland, with Robert Hughes conducting and Larry London (clarinet) and Thomas Halpin (violin) the soloists;
Others
1870 - Grieg writes a letter from Rome describing how Franz Liszt performed his Piano Concerto at sight and praised the work highly;
1938 - American premiere of Shostakovich's Symphony No. 5 by the NBC Symphony, Artur Rodzinski conducting;
1939 - First lady Eleanor Roosevelt sponsors an Easter Sunday concert by Marian Anderson at the Lincoln Memorial to protest racial discrimination after the singer is denied use of Washington's Constitution Hall (owned and administered by the Daughters of the American Revolution); Some 75,000 people attend this open-air event.
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About Composers Datebook®
Host John Birge presents a daily snapshot of composers past and present, with timely information, intriguing musical events and appropriate, accessible music related to each.
He has been hosting, producing and performing classical music for more than 25 years. Since 1997, he has been hosting on Minnesota Public Radio's Classical Music Service. He played French horn for the Cincinnati Symphony and Pops Orchestra and performed with them on their centennial tour of Europe in 1995. He was trained at the Cincinnati College-Conservatory of Music, Eastman School of Music and Interlochen Arts Academy.