Composers Datebook®

Griffes for pleasure

Synopsis

On today’s date in 1919, the eminent French conductor Pierre Monteux, led the Boston Symphony in the premiere performance of “The Pleasure Dome of Kubla Khan,” a new orchestral score written by the American composer Charles Tomlinson Griffes.

This music was inspired by Samuel Taylor Coleridge’s famous Romantic poem of that name, but owes its exotic orchestral coloring to Griffes’ interest in the music of Asia and the Pacific Rim. Although Griffes himself never traveled there, he knew someone who had: the influential Canadian soprano Eva Gauthier, famous for her avant-garde song recitals that included music by Stravinsky and Schoenberg, and her later association with Gershwin and Ravel. It was the well-traveled Gauthier who introduced Griffes to the musical traditions of Japan and Java.

In describing an earlier ballet score inspired by Asian themes, Griffes wrote: “It is developed Japanese music – I purposely do not use the term idealized. Modern music tends more and more toward the archaic, especially the archaisms of the East.”

The 1919 Boston premiere of “Kubla Khan” was the highpoint of Griffes’ career, and all the critics agreed a major new talent had arrived on the American music scene.

Unfortunately, one month later, Griffes took ill and in a few months died from a severe lung infection. He was just 35 years old. How his music would have developed had Griffes lived remains one of the most intriguing “what might have beens” of American music.

Music Played in Today's Program

Charles Tomlinson Griffes (1884 - 1920) The Pleasure Dome of Kubla Khan Boston Symphony; Seiji Ozawa, cond. New World 273

On This Day

Births

  • 1784 - Baptismal date of German composer and pianist Ferdinand Ries, in Bonn;

  • 1829 - Russian composer and pianist Anton Rubinstein, in Vikhvatinets, Podolia (see Julian date: Nov. 16);

Deaths

  • 1972 - British composer Havergal Brian, age 96, in Shoreham-by-Sea; He composed 32 symphonies between 1919-1968 (most remained unperformed during his lifetime);

Premieres

  • 1723 - Bach: Sacred Cantata No. 61 ("Nun komm der Heiden Heiland" I) performed on the 1st Sunday in Advent as part of Bach's first annual Sacred Cantata cycle in Leipzig (1723/24);

  • 1811 - Beethoven: Piano Concerto No. 5, by the Leipzig Gewandhaus Orchestra, Johann Philip Christian Schultz conducting, and Friedrich Schneider as the soloist;

  • 1895 - Rimsky-Korsakov: opera “Christmas Eve,” in St. Petersburg (Gregorian date: Dec. 10);

  • 1896 - Mussorgsky: opera “Boris Godunov” (Rimsky-Korsakov version), in St. Petersburg (Gregorian date: Dec. 10);

  • 1909 - Rachmaninov: Piano Concerto No. 3, in Carnegie Hall, composer at piano, Walter Damrosch conducting New York Symphony Society Orchestra;

  • 1919 - Charles Tomlinson Griffes: "The Pleasure Dome of Kublai Khan," Pierre Monteux conducting Boston Symphony Orchestra;

  • 1930 - Hanson: Symphony No. 2 ("Romantic"), by the Boston Symphony, Serge Koussevitzky conducting;

  • 1930 - Kodály: "Marosszék Dances," in Dresden;

  • 1940 - Miaskovsky: Symphony No. 20, in Moscow;

  • 1990 - Christopher Rouse: “Concerto per Corde” (Concerto for Strings), at Avery Fisher Hall in New York, by the American Symphony Orchestra, Catherine Comet conducting;

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Host John Birge presents a daily snapshot of composers past and present, with timely information, intriguing musical events and appropriate, accessible music related to each.

He has been hosting, producing and performing classical music for more than 25 years. Since 1997, he has been hosting on Minnesota Public Radio's Classical Music Service. He played French horn for the Cincinnati Symphony and Pops Orchestra and performed with them on their centennial tour of Europe in 1995. He was trained at the Cincinnati College-Conservatory of Music, Eastman School of Music and Interlochen Arts Academy.

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