Antheil at Carnegie Hall

Synopsis

“How do you get to Carnegie Hall?” If George Antheil were asked that question in 1927, he would have answered that it was easy. After the scandalous Paris premiere of his aggressively avant-garde “Ballet Mécanique”—scored for 8 pianos and lots of percussion, including airplane propellers—Antheil received a cable offering financial backing for a one-night only performance of the new work at Carnegie Hall.

Antheil was broke at the time, so the offer was hard to refuse. For his Carnegie Hall debut, Antheil also programmed his brand-new Jazz Sinfonietta—and hired the all-black W.C. Handy jazz band to accompany him at the piano—and remember, this was 11 years BEFORE Benny Goodman’s 1938 Carnegie Hall jazz concert famously presented a racially-integrated ensemble on the same stage.

“The public paid scant attention,” Antheil later recalled. “They had come to see and hear the Ballet Mecanique. The new Jazz Sinfonietta which I composed specially for the occasion was played by a large Negro orchestra whose personnel contained a list of names later to become tremendously important in popular music . . . but the critics took almost no notice except to say that my Sinfonietta was reminiscent of Negro jazz and not as good.”

Music Played in Today's Program

George Antheil (1900 - 1959) A Jazz Symphony Ivan Davis, piano; New Palaise Royale Ensemble; Maurice Peress, cond. MusicMasters 67094

On This Day

Births

• 1864 - Scottish-born German composer and pianist Eugéne d'Albert, in Glasgow;

• 1892 - Italian composer and conductor Victor de Sabata, in Trieste;

Deaths

• 1911 - Lithuanian painter and composer Mikolajus Konstantinas Ciurlionis, age 35, in Pustelnik-Minski, near Warsaw (Julian date March 28);

Premieres

• 1868 - Brahms: "A German Requiem," at a Good Friday concert at Bremen Cathedral conducted by the composer;

• 1886 - Chabrier: opera "Gwendoline," in Brussels;

• 1913 - Montemezzi: opera "L'Amore dei tre re" (The Love Three Kings), in Milan at the Teatro della Scala, with Tullio Serafin conducting;

• 1919 - Fauré: "Masques et bergamasques" (Masks and Bergamascas), in Monte Carlo;

• 1927 - Antheil: "A Jazz Symphony," at Carnegie Hall in New York, by members of the W.C. Handy with the composer at the piano;

• 1935 - Vaughan Williams: Symphony No. 4, in London, by the BBC Symphony, Sir Adrian Boult conducting;

• 1936 - Carlos Chavez: "Sinfonia India," by the Boston Symphony with the composer conducting;

• 1963 - Poulenc: Clarinet Sonata, at Carnegie Hall (posthumously) with clarinetist Benny Goodman and pianist Leonard Bernstein;

• 1984 - Ellen Taaffe Zwilich: "Prologue and Variations" for strings, by the Chattanooga Symphony, Richard Cormier conducting;

• 1988 - Joan Tower: Clarinet Concerto, with soloist Charles Neidich and the American Symphony Orchestra, Jorge Mester conducting;

• 1992 - Michael Torke: "Music on the Floor," for chamber ensemble, in Milwaukee, Wisc., by the Present Music ensemble, Kevin Stalheim conducting;

• 1996 - Stanislaw Skrowaczewski: "Passacaglia Immaginaria," in Minneapolis by the Minnesota Orchestra, Eiji Oue conducting.

• 2005 - Gabriela Lena Frank: “Ghosts in the Dream Machine” for piano quintet, in Philadelphia, by pianist Simone Dinnerstein and the Chiara Quartet.