Management theory experts call it centralized management. Political historians might unflatteringly call it a dictatorship. Musicians simply use the word conductor. There are advantages to having a centralized authority figure, but the members of the always conductorless Orpheus Chamber Orchestra like to look at the flip side. They're empowered to make more musical decisions themselves. Everyone is an equal. And they all have to know the music inside and out. We'll hear the decentralized Orpheus Chamber Orchestra in Beethoven's Second Symphony.
Episode Playlist
Hour 1
Sergei Prokofiev: Second movement from Piano Sonata No. 6 in A
Nikolai Lugansky, piano
Bartolomeo de Selma y Salaverde: Vestiva i Colli, Passeggiato doi Basso e Soprano
Sacabuche
Auer Hall, Bloomington, Indiana
Arvo Part: Spiegel im Spiegel (Mirror in the Mirror)
Bach Blend
Victoria Bach Festival, Victoria, Texas
Johann Sebastian Bach: Prelude No. 1 in C, from the Well-Tempered Clavier, BWV 846
Bach Blend
Victoria Bach Festival, Victoria, Texas
Edvard Grieg: Piano Concerto in A Minor, Op. 16
Nikolai Lugansky, piano, the Montreal Symphony Orchestra, Kent Nagano, conductor
Wilfrid-Pelletier Hall, Montreal, Quebec
Hour 2
Francois Couperin: Excerpts from Sixieme Ordre (2nd Book, Pieces de Clavecin)
Angela Hewitt, piano
Bela Bartok: The Swineherd's Dance, from Hungarian Sketches, Sz. 97
The Budapest Festival Orchestra, Ivan Fischer, conductor
Carnegie Hall, New York City
Francois Couperin: Les Sylvains
Richard Stone, theorbo
Old St. Joseph's Church, Philadelphia
Ludwig van Beethoven: Symphony No. 2 in D, Op. 36
The Orpheus Chamber Orchestra
Carnegie Hall, New York City
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