Claude Debussy once said that he hated the term impressionism. And yet, he also wrote to a friend, "You do me a great honor by calling me a pupil of Claude Monet." Conductor David Robertson shares his thoughts on the parallels between Debussy's music and Monet's painting, and leads the New York Philharmonic in a ravishing performance of Debussy's "Prelude to the Afternoon of a Faun."
Episode Playlist
Hour 1
Claude Debussy: Cortege et Air de Danse, from the Prodigal Son
The Royal Philharmonic Orchestra, Thomas Beecham, conductor
Claude Debussy: Prelude to the Afternoon of a Faun
The New York Philharmonic, David Robertson, conductor
Avery Fisher Hall, New York City
Claude Debussy: Dieu! Qu'il fait bon la Regarder, from Three Songs
Musica Intima
Church of the Purification, Repentigny, Quebec
Colors of Debussy Perfchat, Part II: Perfchat
Claude Debussy: Selections from Preludes, Book II
Marc-Andre Hamelin, piano
Fraser Studio, Boston
Claude Debussy: Premiere Rhapsodie
Richard Stoltzman, clarinet, Marc-Andre Hamelin, piano
Fraser Studio, Boston
Claude Debussy: La Fille aux Cheveux de Lin (the Girl with the Flaxen Hair)
Richard Stoltzman, clarinet, Marc-Andre Hamelin, piano
Fraser Studio, Boston
Claude Debussy: Beau Soir (Beautiful Evening)
Jon Kimura Parker, piano, Cho-Liang Lin, violin
Bass Performance Hall, Fort Worth, Texas
Hour 2
Claude Debussy: Sarabande
The French National Orchestra, Eliahu Inbal, conductor
Claude Debussy: Sonata for Flute, Viola, and Harp
Tom Ottar Andreassen, flute, Jon Wien Sonstebo, viola, Sidsel Walstad, harp
Oslo Concert Hall, Oslo, Norway
Lucas Ruiz de Ribayaz: Tarantella for Harp and Baroque Guitar
Arianna Savall, harp, Rolf Lislevand, Baroque guitar
Schwetzingen Festival, Schwetzingen, Germany
Santiago de Murcia: Zarambeques O Muecas, from Codex No.4
Arianna Savall, harp, Rolf Lislevand, Baroque guitar
Schwetzingen Festival, Schwetzingen, Germany
Claude Debussy: Jeux (Games)
The French National Orchestra, Daniele Gatti, conductor
Theatre des Champs-Elysees, Paris, France
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