Opposite-coast bouquets and brickbats for Weill and Sessions

Synopsis

On this day in 1947, Pierre Monteux led the San Francisco Symphony in the premiere performance of the Second Symphony by American composer Roger Sessions, who was then 50 years old. Prior to this symphony, Sessions had written in a more broadly accessible style, but his Symphony No. 2 proved fairly dissonant and challenging for its time.

At the time, Sessions cautiously stated: “Tonality is complex and even problematical nowadays.” For their part, the San Francisco audiences found Session’s new style too complex and problematical. There was hardly any applause. Musical America’s critic wrote that Sessions’ Second “seemed to express the epitome of all that is worst in the life and thinking of today.”

Ouch!

Today, Sessions’ Second doesn’t sound all that challenging, but performances of this or any of his symphonies remain rare events.

While Sessions’ symphony was being panned in San Francisco, a new stage work by the expatriate German composer Kurt Weill opened to rave reviews in New York. Kurt Weill’s musical setting of Elmer Rice’s popular play “Street Scene” opened on Broadway on January 9th in 1947. “[It’s] the best contemporary musical production to grace any American stage,” enthused the Musical America critics. “We cannot imagine that an audience from any walk of life would not enjoy it. It has everything.”

Music Played in Today's Program

Roger Sessions (1896-1985) Symphony No. 2 San Francisco Symphony; Herbert Blomstedt, cond London 443 376

Kurt Weill (1900-1950) Act 1 Intro, from Street Scene Scottish Opera Orchestra; John Mauceri, cond. London 433 371

On This Day

Births

• 1839 - American composer John Knowles Paine, in Portland, Maine;

Premieres

• 1724 - Bach: Sacred Cantata No. 154 ("Mein liebster Jesus ist verloren") performed on the 1st Sunday after Epiphany as part of Bach's first annual Sacred Cantata cycle in Leipzig (1723/24);

• 1880 - Rimsky-Korsakov: opera "May Night," in St. Petersburg (Gregorian date: Jan. 21);

• 1904 - Debussy: "Estampes," by Spanish pianist Ricardo Viñes, in Paris;

• 1909 - Ravel: "Gaspard de la Nuit," by Spanish pianist Ricardo Viñes, in Paris;

• 1937 - Schoenberg: String Quartet No. 4, in Los Angeles, by the Kolisch Quartet;

• 1939 - Bartók: "Rhapsody" (two movements) for clarinet, violin, and piano, in New York City, with clarinetist Benny Goodman, violinist Joseph Szigeti, and the composer at the piano; For the 1940 recording session of this work, commissioned by Goodman, Bartók added a middle movement and changed the title to "Contrasts";

• 1947 - Roger Sessions: Symphony No. 2, by the San Francisco Symphony, Pierre Monteux conducting;

• 1947 - Kurt Weill: opera "Street Scene," in New York City at the Adelphi Theater;

• 1948 - Walter Piston: Symphony No. 3, Serge Koussevitzky conducting the Boston Symphony Orchestra; This work was awarded the Pulitzer Prize in 1948;

• 1976 - William Bolcom: "Seasons" for guitar, in New York City;

• 1987 - Joan Tower: "Silver Ladders," by the St. Louis Symphony, Leonard Slatkin conducting;

• 1988 - Alvin Singleton: "After Fallen Crumbs" for orchestra, by the Atlanta Symphony, Michael Palmer conducting.