Synopsis
From the first millennium of the Common Era to the present day, the Mass have been chanted and sung to music both simple and complex. Most Mass settings are in the original Latin, since that liturgical language, after so many centuries, has the advantage of being very familiar and eminently suitable for singing.
On today’s date in 2010, the Kansas City Chorale gave the premiere of a brand-new “Mass for Double Choir” by the American composer René Clausen.
Now, Clausen is an established and well-regarded composer of choral works, but even so writing a Mass can be a daunting task, and Clausen’s was his first such attempt.
“Let's say it was a new challenge to set a text which has historically been set probably more than any other,” says Clausen. “I tend to be rather text-content driven, nearly always attempting to express the meaning and mood of the words. In the longer movements of the Mass, especially the Credo, it was challenging to express all the text, yet keep the music structurally integrated and proportioned.”
René Clausen’s new “Mass for Double Choir” was well-received at its American premiere, and subsequently recorded by the Kansas City Chorale for the British Chandos label. That recording won three Grammy Awards in 2013, including one for “Best Choral Performance.”
Music Played in Today's Program
Rene Clausen (b. 1953) Mass for Double Choir Kansas City Chorale; Charles Bruffy, cond. Chandos 5105
On This Day
Births
1903 - American composer Vittorio Giannini, in Philadelphia;
1916 - Swedish composer Karl-Birgir Blomdahl, in Växjö;
1943 - British composer Robin Holloway, in Leamington Spa;
Premieres
1845 - Wagner: opera "Tannhäuser" (Dresden version), in Dresden at the Hoftheater;
1894 - Chadwick: Symphony No. 3, by the Boston Symphony, Emil Paur conducting;
1901 - Elgar: "Pomp and Circumstance" March No. 1 in D, in Liverpool, by the Liverpool Orchestral Society;
1905 - Sibelius: Violin Concerto (revised version), in Berlin, conducted by Richard Strauss and with Karl Halir the soloist; The first version of this concerto premiered under the composer's director in Helsinki, with Victor Novácek as soloist, on February 8, 1904, but the composer withdrew this version and revised the concerto;
1922 - Mussorgsky: "Pictures at an Exhibition" in the orchestration by Maurice Ravel, in Paris, Serge Koussevitzky conducting;
1928 - Honegger: symphonic movement, "Rugby," in Paris;
1953 - Morton Gould: "Inventions for Four Pianos and Orchestra" by the New York Philharmonic conducted by Mitropoulos;
1964 - Virgil Thomson: "Autumn" (Concertino for harp, strings, and percussion), at the American-Spanish Festival of Music in Madrid, with Nicanor Zabeleta the harp soloist and Enrique Jordá conducting
1967 - Gershwin: public premiere of "Lullaby" for string quartet (composed c. 1919-20), at the Library of Congress in Washington, D.C., by the Juilliard String Quartet; During his lifetime, Gershwin would occasionally arrange impromptu performances of this piece at parties if sufficient string players were in attendance;
1990 - Shulamit Ran: "Symphony," by the Philadelphia Orchestra, Gary Bertini conducting; This work won the Pulitzer Prize for Music in 1991;
1996 - John Adams's Clarinet Concerto "Gnarly Buttons" with soloist Michael Collins and the London Sinfonietta conducted by the composer;
Others
1739 - Handel completes in London his Concerto Grosso in a, Op. 6, no. 4 (see Julian date: Oct. 8);
1933 - German conductor and composer Otto Klemperer leads his first concert with the Los Angeles Philharmonic; The program includes Leo Weiner's transcription of J.S. Bach's "Toccata and Fugue" in d, Stravinsky's "Petrouchka" Ballet Suite, and Beethoven's Symphony No. 5.
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About Composers Datebook®
Host John Birge presents a daily snapshot of composers past and present, with timely information, intriguing musical events and appropriate, accessible music related to each.
He has been hosting, producing and performing classical music for more than 25 years. Since 1997, he has been hosting on Minnesota Public Radio's Classical Music Service. He played French horn for the Cincinnati Symphony and Pops Orchestra and performed with them on their centennial tour of Europe in 1995. He was trained at the Cincinnati College-Conservatory of Music, Eastman School of Music and Interlochen Arts Academy.