Synopsis
In Cockney rhyming slang, being “Brahms and Liszt” means being tipsy.
But in the latter 19th century, “Brahms and Liszt” signified opposite schools of contemporary music. Oddly enough, it was the younger Brahms, who represented the more conservative, traditionally structured side of the spectrum, while the older Liszt, represented a freer, less structured style, dubbed “the music of the future.”
Brahms and Liszt first met on today’s date in 1853, when Liszt was 41 and Brahms 20. The American composer and pianist William Mason was present at the meeting, which took place at Liszt’s home in Weimar, and recalled the encounter in his memoirs.
Liszt read at sight one of Brahms’ early piano pieces and praised the young composer’s work. When pressed for some of his own music, Liszt began playing his recently completed Sonata in B-Minor. Midway through the piece it became embarrassingly apparent that Brahms had fallen asleep in his chair.
Maybe it was the summer heat, perhaps sleep deprivation – or maybe, as some must have thought at the time, Brahms was just bored. In any case, Liszt was understandably miffed, and after finishing his Sonata, rose from the piano and left the room without a word.
Music Played in Today's Program
Johannes Brahms (1833 - 1897) Ballade No. 3, Op. 10 Lars Vogt, piano EMI 57125
Franz Liszt (1811 - 1886) Piano Sonata in b Jeno Jando, piano Naxos 8.550510
On This Day
Births
1885 - German-born American composer Werner Josten, in Elbereld;
1897 - Polish-born French composer Alexandre Tansman, in Lodz;
1914 - French composer Maurice Ohana, in Casablanca;
1941 - American jazz pianist and composer, Chick (Armando Anthony) Corea in Chelsea, Mass.;
1952 - Scottish composer and conductor Oliver Knussen, in Glasgow;
Deaths
1917 - Venezuelan composer, pianist, conductor and singer, (Maria) Teresa Carreño, (Maria) Teresa, age 63, in New York City;
1962 - British composer John Ireland, age 82, in Rock Mill, Washington (Sussex), England;
Premieres
1913 - Florent Schmitt: ballet "La Tragédie de Salomé" (The Tragedy of Salome), at the Théâtre des Champes-Elysées" by the Ballet Russe, Pierre Monteux conducting;
1917 - Pfitzner: opera "Palestrina," in Munich at the Prinzregententheater, with Bruno Walter conducting;
1926 - Szymanowski: opera "King Roger," in Warsaw at the Teatr Wielki;
1928 - European premiere of Stravinsky: ballet "Apollon musagete," at the Sarah Bernhardt Theater in Paris, choreographed by Georges Balanchine; The world premiere performance of this work had occurred in Washington, D.C., on April 27, 1928, choreographed by Adolf Bohm;
1938 - Leonard Bernstein's first public performance as composer-pianist in Brookline, Mass., performing his "Music for the Dance" Nos. 1 and 2 and "Music for Two Pianos" with Mildred Spiegel;
1946 - Prokofiev: opera "War and Peace" (1st version), in Leningrad;
1952 - Bernstein: chamber opera "Trouble in Tahiti," at Brandeis University as part of the first Festival of the Creative Arts, with composer conducting;
1961 - Martinu: opera "The Greek Passion," in Zürich at the Stadttheater;
1962 - Mayzumi: symphonic poem "Samsara," in Tokyo;
1964 - Britten: church opera "Curlew River," in Orford Church, near Aldeburgh;
1974 - Elie Siegmeister: String Quartet No. 3 ("on Hebrew Themes"), at Elkins Park, Pa., by the Vieuxtemps Quartet;
1987 - Morton Feldman: "For Samuel Beckett," for chamber ensemble, in Amsterdam;
2002 - Jennifer Higdon: "Concerto for Orchestra," in Philadelphia at the American Symphony Orchestra League National Convention, by the Philadelphia Orchestra, Wolfgang Sawallisch conducting;
Others
1933 - The first "concert" performance of the Duke Ellington Orchestra takes place at the London Palladium during the ensemble's first visit to England; Previously the orchestra had only performed at night clubs, dance halls, hotels and other "informal" entertainment venues; It would be ten years before Ellington would present a concert performance at Carnegie Hall in New York (on January 23, 1943).
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About Composers Datebook®
Host John Birge presents a daily snapshot of composers past and present, with timely information, intriguing musical events and appropriate, accessible music related to each.
He has been hosting, producing and performing classical music for more than 25 years. Since 1997, he has been hosting on Minnesota Public Radio's Classical Music Service. He played French horn for the Cincinnati Symphony and Pops Orchestra and performed with them on their centennial tour of Europe in 1995. He was trained at the Cincinnati College-Conservatory of Music, Eastman School of Music and Interlochen Arts Academy.