Synopsis
A concerto, according to Webster’s Dictionary, is “a piece for one or more soloists and orchestra with three contrasting movements.” And for most classical music fans, “concerto” means one of big romantic ones by Beethoven or Tchaikovsky, works in which there is a kind of dramatic struggle between soloist and orchestra.
But on today’s date in 2003, the Saint Paul Chamber Orchestra and its concertmaster Stephen Copes premiered a Violin Concerto that didn’t quite fit that mold. For starters, it had four movements, and this Violin Concerto No. 2 by American composer George Tsontakis was more “democratic” than romantic — meaning the solo violinist seems to invite the other members of the orchestra to join in the fun, rather than hogging all the show. This concerto is more like a friendly, playful game than a life-and-death contest, and Tsontakis even titles his second movement “Gioco” or “Games.”
The new concerto proved a winner, being selected for the prestigious 2005 Grawemeyer Award for Music Composition. Even so, George Tsontakis confesses to being a little shy when sitting in the audience as his music is played, knowing full well, he says, that most people came to hear the Beethoven or Tchaikovsky, and not him.
Music Played in Today's Program
George Tsontakis (b. 1951): Violin Concerto No. 2; Stephen Copes, violin; Saint Paul Chamber Orchestra; Douglas Boyd, conductor; Koch International 7592
On This Day
Births
1868 - German composer Max von Schillings, in Duren
1892 - French composer Germaine Tailleferre, in Pau-St.-Maur
Deaths
1799 - Dutch composer, violinist and organist Pieter Hellendaal, 78, in Cambridge (England)
1986 - Swedish composer Dag Wiren, 80, in Stockholm
Premieres
1774 - Gluck: opera Iphigenia in Aulis, in Paris at the Palais Royale Opéra
1899 - Franck: String Quartet, in Paris
1936 - Berg: Violin Concerto, in Barcelona at the Festival of the International Society for Contemporary Music, by the Pablo Casals Orchestra conducted by Hermann Scherchen with Louis Krasner (who had commissioned the work) as the soloist
1964 - Stravinsky: Fanfare for a New Theater, at the Inauguration of the New York State Theater at Lincoln Center
1975 - Rameau: unfinished opera Les Boréades, in London. This was Rameau's last opera, composed in 1764 and left unfinished at the time of the composer's death. For the 1975 premiere in London, conductor John Eliot Gardiner prepared a performing edition of the score.
2000 - Kernis: Valentines for soprano and orchestra, in Minneapolis, with Renée Fleming and the Minnesota Orchestra, Eiji Oue conducting
2001 - Michael Daugherty: UFO for solo percussion and winds, in Denton, Texas, by Evelyn Glennie and the North Texas Wind Symphony, Eugene Migliaro Corporon conducting
2001 - Poul Ruders: Paganini Variations for guitar and orchestra, with soloist David Starobin and the Odense Symphony of Denmark
Others
1787 - Mozart finishes his String Quintet in C (K. 515) in Vienna. Mozart had offered this work on a subscription basis via announcements in the Wiener Zeitung on April 2, 5 and 9 of that year. due to the poor response, Mozart extended the offer June 25 through Jan. 1, 1789.
1851 - First documented American performance of Beethoven's Coriolanus Overture, at the Melodeon in Boston, during a Grand Symphony Concert conducted by C.C. Perkins
Love the music?
Show your support by making a gift to YourClassical.
Each day, we’re here for you with thoughtful streams that set the tone for your day – not to mention the stories and programs that inspire you to new discovery and help you explore the music you love.
YourClassical is available for free, because we are listener-supported public media. Take a moment to make your gift today.
Your Donation
About Composers Datebook®
Host John Birge presents a daily snapshot of composers past and present, with timely information, intriguing musical events and appropriate, accessible music related to each.
He has been hosting, producing and performing classical music for more than 25 years. Since 1997, he has been hosting on Minnesota Public Radio's Classical Music Service. He played French horn for the Cincinnati Symphony and Pops Orchestra and performed with them on their centennial tour of Europe in 1995. He was trained at the Cincinnati College-Conservatory of Music, Eastman School of Music and Interlochen Arts Academy.