Poster Cellist Sophie Shao
Cellist Sophie Shao presents her second solo album including music by Debussy and Garfein.
courtesy the artist
New Classical Tracks®

Cellist Sophie Shao celebrates the joy of life through music inspired by France

New Classical Tracks (Extended Interview) - Sophie Shao
DOWNLOAD
00:00
0
New Classical Tracks - Sophie Shao
New Classical Tracks - April 24, 2024

Sophie Shao, cello – CanCan Macabre (Centaur)

Cellist Sophie Shao is a Curtis Institute and Yale graduate who now teaches at the University of Connecticut. A recipient of an Avery Fisher Career grant, she also plays a cello once owned by Pablo Casals. You can hear that instrument in her second solo recording, CanCan Macabre, an album that celebrates the joy of life through music inspired by France.

“The recording was conceived to showcase a piece that I commissioned from Herschel Garfein,” Shao says. “I commissioned it with the intention of pairing it with the Debussy Cello Sonata, which is a perfect piece of music in its length and story.

“The ‘CanCan Macabre’ is actually the name of the last movement of Thomas Adès’ Rediscovered Places (Lieux Retrouvés), and one of the lines that connects all the pieces is a connection to Paris.”

Why is the Debussy Cello Sonata important to you?

“The piece is different from his other works in that it actually has a character in it: Pierrot Lunaire. And you can totally hear Debussy’s sound world in the middle of it, such as cathedral-like chords and bells ringing.

“The second movement is so much fun. It's got jazz in it and it's titled ‘Serenade.’ And it's the story of Lunaire serenading the moon, which, when you're out at night, it does look like the moon is following you along.”

The Layers is Herschel Garfein’s piece that you commissioned. How does it compare to the Debussy sonata?

“The piece itself is much more philosophical and it's based on a poem by Stanley Kunitz. The protagonist of the poem is a poet is looking back on his life. So this is an older person with a heavy heart.

“However, the second movement actually does connect to the Debussy. Its title is ‘When the Moon Was Covered’ and, in the movement, the poet is walking through a nimbus cloud. The last movement is called ‘Every Stone on the Road’ — it's kind of a celebration since it uses a klezmer tune, which is something that is played during life's happiest occasions, but the tonality itself has kind of a sad twinge to it.”

Resources

Sophie Shao, cello – CanCan Macabre (Centaur)

Sophie Shao, cello – CanCan Macabre (Amazon)

Love the music?

Donate by phone
1-800-562-8440

Show your support by making a gift to YourClassical.

Each day, we’re here for you with thoughtful streams that set the tone for your day – not to mention the stories and programs that inspire you to new discovery and help you explore the music you love.

YourClassical is available for free, because we are listener-supported public media. Take a moment to make your gift today.

More Ways to Give

Your Donation

$5/month
$10/month
$15/month
$20/month
$

Latest New Classical Tracks® Episodes

VIEW ALL EPISODES

Latest New Classical Tracks® Episodes

Pianist David Kaplan combines new American compositions with Schumann
29:39
Violinist Augustin Hadelich and pianist Orion Weiss take an American road trip together
35:06
Daphne Gerling and Tomoko Kashiwagi highlight brilliant 20th-century women
32:53
Anna Clyne and the Knights bring folk into classic on new album

Anna Clyne and the Knights bring folk into classic on new album

English composer Anna Clyne incorporates elements of folk music on her latest recording featuring the Knights. Listen as host Julie Amacher speaks to her and Eric Jacobson from the ensemble about their recent collaboration on the latest episode of ‘New Classical Tracks.’

38:36

Jeremy Denk performs Charles Ives' 'The Alcotts'

Oct. 20, 2024, marked the 150th birth anniversary of American composer Charles Ives. Join us in celebrating his life, music and legacy with pianist Jeremy Denk’s captivating performance of Ives’ ‘The Alcotts,’ recorded at Minnesota Public Radio's headquarters in St. Paul.

Guitarist David Leisner returns to 19th-century guitar repertoire with 'Charms to Soothe'
31:51
Violinist Joshua Bell brings forward the music of Thomas De Hartmann on new album
21:05
Composer Tina Davidson embraces vulnerability on new recording
30:42
Gao Hong and Ignacio Lusardi Monteverde improvise together on their new album
30:26
Isata Kanneh-Mason explores the music of the Mendelssohn siblings

Isata Kanneh-Mason explores the music of the Mendelssohn siblings

On this week’s episode of ‘New Classical Tracks,’ pianist Isata Kanneh-Mason explores the music of Fanny and Felix Mendelssohn. In particular, she talks about Fanny’s ‘Easter Sonata,’ which was for many years thought to have been composed by her brother. Listen now!

17:16
VIEW ALL EPISODES

About New Classical Tracks®

Host Julie Amacher provides an in-depth exploration of a new classical music release each week.

Subscribe on Apple Podcasts, TuneIn, Radio Public, or RSS.

About New Classical Tracks®