Synopsis
Maurice Ravel’s orchestral suite Le Tombeau de Couperin was premiered in Paris on this day in 1920. It had started out as a suite of solo piano pieces, intended as a tribute to great French Baroque composer François Couperin — or, as Ravel wrote, “not so much to Couperin himself, as to 18th-century French music in general.”
Although the French word “tombeau” translates literally as “tomb,” it also signifies a musical piece paying tribute to a past master, in the English sense of “in memoriam.” In that spirit, Ravel dedicated each movement of his suite to friends of his killed during World War I.
Although the “tombeau” as a musical form has been associated almost exclusively with French composers, one contemporary American composer has used the form as well, albeit with more wickedly satirical intent. Michael Daugherty’s Tombeau de Liberace jokingly references the pianist and showman, a kitschy icon of 20th century American pop culture.
Michael Daugherty said, “Starting from the vernacular idiom, I have composed Le Tombeau de Liberace as a meditation on the American sublime: a lexicon of forbidden music. It is a piano concertino in four movements, each creating a distinct Liberace atmosphere.”
Music Played in Today's Program
Maurice Ravel (1875-1937): Le Tombeau de Couperin; St. Paul Chamber Orchestra; Hugh Wolff, conductor; Teldec 74006
On This Day
Births
1876 - American composer John Alden Carpenter, in Park Ridge, Illinois
Premieres
1688 - M.A. Charpentier: opera David et Jonathas, in Paris
1728 - Handel: opera Siroe, Re di Persia (Julian date: Feb. 17)
1862 - Gounod: opera La Reine de Saba (The Queen of Sheba), in Paris
1888 - Tchaikovsky: Pezzo Capriccioso for cello and orchestra, in Paris
1898 - Kalinnikov: Symphony No. 2 (Gregorian date: Mar. 12)
1904 - d’Indy: Symphony No. 2 in Paris
1912 - Nielsen: Symphony No. 3 (Sinfonia Espansiva) and Violin Concerto (with soloist Emil Telmányi), in Copenhagen, with the composer conducting
1920 - Ravel: orchestral suite Le Tombeau de Couperin, at a Pasdeloup Concert in Paris
1929 - Pizzetti: Concerto dell’estate (Summer Concerto) by the New York Philharmonic, Arturo Toscanini conducting
1936 - Roy Harris: Symphony No. 2, by the Boston Symphony and Prelude and Fugue for strings by the Philadelphia Orchestra
1940 - Cowell: Old American Country Set, by the Indianapolis Symphony, Fabien Sevitzky conducting
1976 - Ralph Shapey: oratorio Praise in Chicago
1991 - John Harbison: Symphony No. 3, by the Baltimore Symphony, David Zinman conducting
1994 - George Tsontakis: Winter Lightning (No. 4 of Four Symphonic Quartets after poems by T.S. Eliot), by the Seattle Symphony, Gerard Schwarz conducting
Others
1739 - London music publisher John Walsh the younger issues Handel’s Trio Sonatas (Gregorian date: Mar. 11)
1874 - American premiere of J.S. Bach’s Brandenburg Concerto No. 3, at New York’s Academy of Music, by the Theodore Thomas Orchestra. Thomas also introduced this concerto to Cincinnati (May 19, 1882) and Chicago (Feb. 5, 1892).
1882 - The Royal College of Music is founded in London.
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About Composers Datebook®
Host John Birge presents a daily snapshot of composers past and present, with timely information, intriguing musical events and appropriate, accessible music related to each.
He has been hosting, producing and performing classical music for more than 25 years. Since 1997, he has been hosting on Minnesota Public Radio's Classical Music Service. He played French horn for the Cincinnati Symphony and Pops Orchestra and performed with them on their centennial tour of Europe in 1995. He was trained at the Cincinnati College-Conservatory of Music, Eastman School of Music and Interlochen Arts Academy.