The Exilarte Center in Vienna is the world's leading research institution devoted to preserving the work of composers such as Walter Arlen and others, who were exiled or killed during the Holocaust.


Forensic musicologists race to rescue works lost after the Holocaust

Prey, the new prequel to the 1987 blockbuster Predator streaming on Hulu, features a sophisticated soundtrack influenced both by Native cultures and video games


How a Grammy-winning Pueblo musician influenced the soundtrack for 'Prey'

John Williams' score was, true to form, unforgettable — as Jeff Goldblum remembers in an interview with NPR.


The theme to 'Jurassic Park' hasn't aged a day

Tamar-kali, who composed the music for Mudbound and Shirley, has a new project: an opera that you can watch online. 


New opera teaches a classical music class in the ongoing fight for civil rights

Deep in the heart of Texas, the Kronos Quartet reflects on race relations and social unrest with ‘At War with Ourselves – 400 Years of You,’ by composer Michael Abels and poet Nikky Finney.


Four centuries of Black American history are told in new Kronos Quartet performance

Recovered from a career-threatening injury, Miloš Karadaglic has his sights set on two goals: finding the next great classical guitar concerto, and erasing the taboo of injuries among musicians.


Man with a mission: Miloš seeks the next great classical guitar showpiece

Tom Holkenborg, aka Junkie XL, is far from the first score composer to be fired from a Hollywood film. But he might be the first to get his job back.


The Music Of 'Justice League' Is Its Own Epic Tale Of Death And Rebirth

James Newton Howard has composed the music for more than 100 films: thrillers, Disney animation and big fantasy series. His latest is the Tom Hanks western, 'News of the World.'


James Newton Howard, a composer who can do it all

Darren Aronofsky's 2000 film Requiem for a Dream spawned a musical motif that's rippled through media -- and jumpstarted a new career for Clint Mansell, the composer of its haunted score.


Requiem for a theme: Film composer Clint Mansell on the sound of sadness

Jones is the first African American woman ever nominated for an Emmy for an original television score. She got her start because producer/writer Lena Waithe took a chance on her.


Tim Greiving

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