How do you feel about classical music?

When I’m doing tasks like cooking, exercising or cleaning.

When I’m reading or studying, for example.

When I’m relaxing, sleeping or just “hanging out.

When I’m paying attention solely to the music

When does listening to music bring you the most joy?

I attend a few shows a year, but it’s not a large part of my life.

I regularly attend live shows and can’t get enough of them.

Do you enjoy live music?

I know what I like and rarely stray from my favorites.

I’m open to new things, but there are classics for a reason.

I relish discovering the new and unfamiliar.

When it comes to listening to music …

I like folk, bluegrass and more traditional forms.

If it’s improvised and cool, I’m there.

If I’m not listening to classical music, I’m listening to …

Rooted in Black music history in the Americas and worldwide.

Going beyond Western Europe traditions, often influenced by folk music.

Drawing from traditional music of the Middle East, Southeast Asia and more.

Delving into traditional music of Native Americans and other First Nations.

Surveying traditional music of Central and South America, and the Caribbean.

Exploring traditional music cultures from around the world.

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Flicks in Five: Maurice Jarre

Once a relatively unknown young French composer was hired to bring 

 to life, director David Lean never let him go.  Maurice Jarre went on to score nearly all of Lean's films, and his success with Lawrence was quickly followed by 

.  The score that started it all for Lean and Jarre, 

Gallery

Lynne has been at this radio thing since 1984 when she fell into an historic job at KFAC AM and FM, the commercial classical station in Los Angeles.  She was the first woman staff announcer in the station's history, and it was such big news back then, it made the LA newspapers and national radio publications.  She is thrilled women in radio is no longer newsworthy.


Lynne Warfel

Once a relatively unknown young French composer was hired to bring "Lawrence of Arabia" to life, director David Lean never let him go.  Maurice Jarre went on to score nearly all of Lean's films, and his success with "Lawrence" was quickly followed by "Dr. Zhivago."  The score that started it all for Lean and Jarre, "Lawrence of Arabia."


Flicks in Five: Maurice Jarre

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