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Brian Eno: Theory and Practice

Brian Eno made his primary fame in rock music, but to consider him simply a "rock producer" is one of the biggest mistakes you could make. His influence on subsequent generations of musical free-thinkers in classical, jazz, electronic, and avant-garde music has been incalculable. 

In 2010, I sat down with Brian Eno for an hourlong conversation when Eno was in Minneapolis for a lecture at the Walker Art Center. The result was this special, "Brian Eno: Theory and Practice," which originally aired that same year. Listening to our conversation, one is reminded how Eno is one of music's most refreshing and entertaining scholars and conceptual thinkers.

Whether you're an open-minded classical listener, a fan of adventurous rock, or just fascinated by big ideas and refreshing perspectives, you'll likely find the program an insightful window into the career of a man who has had a major hand in the blending of genres and breaking down of barriers between "high" and "low" art, rock and classical, east and west, and past and present.

Steve Seel is the host of YourClassical’s weekly SymphonyCast and the trailblazing music show Extra Eclectic. He possesses a broad knowledge of many musical genres, having hosted radio programs ranging from classical to jazz and even avant-garde music at radio stations around the country. Steve began his love affair with public radio at 24 working whatever shifts he could at his hometown station of WUSF-FM in Tampa, Florida, and from there worked his way to snowy Buffalo, New York, and its renowned classical station WNED-FM, where he hosted middays and the weekly experimental-music show Present Tense.  In 2005, Steve became one of the founding voices on Minnesota Public Radio's eclectic station, the Current. While there, he hosted afternoons and mornings, and conducted in-depth interviews with pop music luminaries ranging from Brian Eno to David Byrne to Tori Amos. Steve is a basement composer obsessed with all things both minimalist and slow, and might actually be incapable of writing anything that exceeds 75 beats-per-minute.


Steve Seel

Brian Eno made his primary fame in rock music, but to consider him simply a "rock producer" is one of the biggest mistakes you could make. His influence on subsequent generations of musical free-thinkers in classical, jazz, electronic, and avant-garde music has been incalculable.


Brian Eno's work speaks to open-minded classical listeners

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