Performance Today®

There's not much pianist Emanuel Ax hasn't done: won Grammy Awards, check; Avery Fisher Prize, check; soloed more than 100 times with the New York Philharmonic, check. But there's a first for everything. We'll hear Ax perform J.S. Bach's Keyboard No. 1 for the first time with Alan Gilbert and the New York Philharmonic. Plus, a thrilling performance of Antonin Dvorak's 7th Symphony led by Nikolaj Znaider in Paris, France. On Tuesday's Performance Today, from APM.

Pianist Angela Hewitt plays a wide range of keyboard music, but she keeps coming back to one particular composer who has always felt like a great friend: Johann Sebastian Bach. We'll hear Hewitt in concert in suburban Atlanta, playing Bach's French Suite at the piano. Plus, a performance from a 2013 MacArthur Genius Grant award winner, pianist and writer Jeremy Denk, on Monday's Performance Today, from APM.

Conductor JoAnn Falletta has a real knack for bringing forgotten musical treasures to light. She leads the Buffalo Philharmonic in Franz Schreker's "Prelude to a Drama," an important opera in the early 20th century. Plus, this week's Piano Puzzler with Bruce Adolphe, this weekend on Performance Today, from APM.

Where is the line between classical and jazz? Pianist Stephen Prutsman has the highest credentials in both worlds, from Baroque to Bepop. Stephen Prutsman joins PT host Fred Child to talk music and improvise at the keyboard. Plus, our weekly 21st century spotlight is a daring work for solo trumpet and string orchestra from Scottish composer James MacMillan, on Friday's Performance Today, from APM.

Is it jazz or is it classical music? Listen to the interview and watch a video of his performance

Edward Elgar had the ability to compose personal references in his music: his favorite landscapes, references to dear friends, even his swaggering bulldog named Dan. Musical snapshots and more from the Italian Riviera in Elgar's picturesque Alassio Overture, on the way from a concert in Philadelphia. Plus, a cello concerto from French cellist Gautier Capucon at the Concertgebouw. On Thursday's Performance Today, from APM.

Conductor JoAnn Falletta has a real knack for bringing forgotten musical treasures to light. She leads the Buffalo Philharmonic in Franz Schreker's "Prelude to a Drama," which was an important opera in the early 20th century, yet largely forgotten today. Plus, this week's Piano Puzzler with Bruce Adolphe, on Wednesday's Performance Today.

Daniel Barenboim is a full-time pianist. And a full-time conductor. If you think that adds up to too much, Barenboim is quick to disagree. In fact, he wants to keep up the frenetic pace. He says, "I pray every day that I will not get comfortable in my old age." In Tuesday's show, Barenboim the pianist and Barenboim the conductor, from concerts in Austria and Germany.

For years and years, Sergei Rachmaninoff received negative music reviews for breaking tradition. In response he once wrote, "I'm more focused saying simply and directly that which is in my heart." No more is that focus more evident than in his Second Symphony. We'll hear a concert with Marin Alsop directing the Sao Paolo Symphony Orchestra. Also ahead, Ottorino Respighi composes slithering sounds in music after a visit to the Butantan Snake Institute in Brazil. On Monday's Performance Today, from APM.