Love or death? It's a question that's posed at some point in most every dramatic opera. And unlike everyday life, opera heroines generally have to choose between the two. In today's show, PT Young Artist in Residence Elizabeth Zharoff addresses the question in the role of four different opera characters: Iolanthe, Juliet, Elvira, and Pamina.
The young Sergei Prokofiev was fed up with critics who thought he could only write crunchy, avant-garde music. So he threw them a musical curve ball, his "Classical" symphony, written in a Haydnesque style. He called it "a challenge to make the geese angry." James Conlon leads the Los Angeles Philharmonic, in concert at Walt Disney Hall in Los Angeles.
Young Artist in Residence Elizabeth Zharoff joins host Fred Child in the PT studios again today. She talks about the joys and challenges of singing opera. "There's so much you can find out about yourself when you're trying to become another person." In today's show, Zharoff assumes the role of Marguerite, singing excerpts from Charles Gounod's "Faust."
Soprano Elizabeth Zharoff can remember the exact moment she decided to become a professional musician. While she was singing in a high school competition, Zharoff saw and felt the audience lean forward anticipating her next note. Since then her star has continued to rise. Zharoff is now a master's candidate at the Curtis Institute of Music and she'll join host Fred Child all week long as Performance Today's Young Artist in Residence.
The term child prodigy gets thrown around so often in the musical world that we sometimes forget just how remarkable youthful talent can be. Felix Mendelssohn was writing music that had emotional and spiritual and intellectual depth before he even started shaving. In today's show, Vadim Repin plays Mendelssohn's first violin concerto, the product of an unparalleled 13-year-old mind.
The term child prodigy gets thrown around so often in the musical world that we sometimes forget just how remarkable youthful talent can be. Felix Mendelssohn was writing music that had emotional and spiritual and intellectual depth before he even started shaving. In today's show, Vadim Repin plays Mendelssohn's first violin concerto, the product of an unparalleled 13-year-old mind.
In Greek mythology, Prometheus took fire from the gods and gave it to mortals. We got warmth and light, knowledge and culture. But Zeus punished Prometheus by chaining him to a rock for all eternity, where a giant eagle pecked out his liver each day. In today's show, we'll hear excerpts from Beethoven's ballet, "The Creatures of Prometheus," from a concert in New York City.
A systematic assault on a mind is a hard thing to track. But photographs of Dmitri Shostakovich over the years do seem to tell a story. Into his late 20s, he kept a kind of impish Harry Potter youthfulness about him, including the owl glasses. But gradually, as the official scolding from Moscow turned into harassment and then to abuse and threats, Shostakovich changed. His face grew grim and strained. In today's show, a snapshot of the young Shostakovich, before fear became part of his daily life. We'll hear his Suite for Jazz Orchestra No. 1 from Los Angeles.
Poet Rita Dove wrote a book about Beethoven, his best friend in 1803, and the piece they premiered together. Beethoven wrote an astonishing sonata inspired by the virtuosity of violinist George Bridgetower. But one night over drinks, the two friends got into a fight. Beethoven took Bridgetower's name off the music, and they never spoke again. Rita Dove has re-imagined their relationship in her book, "Sonata Mulattica." She joins PT host Fred Child to guide us through their story, and through the piece that's become known as Beethoven's Kreutzer Sonata.
