Performance Today®

A couple of musical protesters are in today's show. Hungarian conductor Adam Fischer recently resigned his post as conductor of the Hungarian State Opera in protest of new government media laws. The full story is in the show, plus a performance by Fischer and the Danish National Chamber Orchestra. And a performance of Haydn's Farewell Symphony, written as a protest to Haydn's boss, on behalf of a bunch of musicians who just wanted to go home.

Today, we continue our series on how musicians practice. PT host Fred Child interviews violinist Gil Shaham, who describes himself as undisciplined about his daily practice routine. Somehow, the lack of discipline hasn't hampered Shaham, who remains one of the world's greatest violinists. He performs the Khachaturian Violin Concerto with the Los Angeles Philharmonic.

The King's Singers recently joined host Fred Child in our PT studios for a special hour of music and conversation. Long-time bass Stephen Connolly describes the tight-knit group as "six voices trying to sing as one." The legendary vocal ensemble from London did just that, entertaining a small studio audience with a half dozen songs, including their signature piece, "You are the New Day."

Thirty years ago, violinist Daniel Hope was called on the carpet for a serious offense at his music school: unauthorized practicing of the Mendelssohn Violin Concerto. His teachers said he wasn't ready. Hope says he just couldn't help himself. Those dazzling melodies and dizzying runs: who wouldn't ache to be able to play that? These days, Hope is authorized to play whatever he wants. He'll play his childhood dream piece, the Mendelssohn Violin Concerto, with the Los Angeles Chamber Orchestra.

He's only beginning to be known in this country, but in his native Japan, 22-year-old violinist Ryu Goto is a mega-star. He appears on national advertisements for a Japanese rail company. He's been the subject of an annual TV documentary since the age of 8. In today's show, we'll hear excerpts from Ryu Goto's smashing debut concert at Carnegie Hall in New York City, where he played works by Max Bruch and Nathan Milstein.

In today's show, two composers who couldn't be more different from each other. Robert Schumann was passionate, tormented, quixotic, the personification of the Romantic temperament. Joseph Haydn, on the other hand, had a solidly Classical personality: sturdy, good-natured, humorous, dependable. We'll hear two masterpieces from both ends of the personality spectrum, from concerts in Warsaw and Berlin.

Thirty years ago, violinist Daniel Hope was called on the carpet for a serious offense at his music school: unauthorized practicing of the Mendelssohn Violin Concerto. His teachers said he wasn't ready. Hope says he just couldn't help himself. Those dazzling melodies and dizzying runs: who wouldn't ache to be able to play that? These days, Hope is authorized to play whatever he wants. He'll play his childhood dream piece, the Mendelssohn Violin Concerto, with the Los Angeles Chamber Orchestra.

Today we celebrate the 100th birthday of an American original, composer Alan Hovhaness. He was someone who drew his inspiration from the natural world, and from the musical traditions of the Far East. Hovhaness grew up on the east coast, but settled in the Pacific Northwest to be near his beloved mountains. In today's show, we'll hear Hovhaness' best-known work, the symphony he called "Mysterious Mountain."

No one was harder on himself than Peter Tchaikovsky. He had this to say about his first symphony: "Despite all its glaring deficiencies I have a soft spot for it, for it is a sin of my sweet youth." Take that with the big grain of salt it deserves. Tchaikovsky's First, neither glaring nor deficient, is in today's show, from a concert in Hamburg, Germany.