Performance Today®

America was a haven for composers fleeing persecution in Europe just prior to World War II. In today's show, we feature several composers living in exile in the United States in the last century. A number of them went to work in the film industry in Hollywood, including Erich Korngold. Korngold, an Austrian Jew, was working on the music to the film "Robin Hood" when conditions at home deteriorated rapidly, making it impossible for him to return to Vienna. Korngold credits "Robin Hood" with saving his life. We'll hear Korngold's expansive and romantic violin concerto, in a performance by violinist Leonidas Kavakos at the BBC Proms two weeks ago in London.

The future of classical music is in good hands. Some of the stars of tomorrow are students at the Aspen Music Festival and School today. They gave standout performances all summer long. PT host Fred Child spent the last two weeks there, broadcasting from the studios of Aspen Public Radio. We wrap up our Aspen coverage this weekend with great performances, including violinist Gil Shaham playing a Mozart concerto. And we'll hear about the art of busking, performing as street musicians. We followed a few students around town as they earned some extra cash plying their trade on the streets of Aspen.

The future of classical music is in good hands. Some of the stars of tomorrow are students at the Aspen Music Festival and School today. They gave standout performances all summer long. PT host Fred Child spent the last two weeks there, broadcasting from the studios of Aspen Public Radio. We wrap up our Aspen coverage this weekend with great performances, including violinist Gil Shaham playing a Mozart concerto. And we'll hear about the art of busking, performing as street musicians. We followed a few students around town as they earned some extra cash plying their trade on the streets of Aspen.

Pianist Paul Lewis says that when he plays Beethoven's Third Piano Concerto, he hears Beethoven's own identity emerging. He says he hears "a personality that's becoming more and more defiant. There's a sense of struggle...you feel this conflict." Lewis and the Halle Orchestra perform Beethoven's Third, in concert at the Proms in London. Plus, the swashbuckling Finnish Radio Symphony plays Hector Berlioz'"Le Corsaire Overture," inspired by a novel about pirate adventures.

A single lark swoops and flits, hovers and circles, all the while rising higher and higher over the English countryside. It's Ralph Vaughan Williams' much-loved work for violin and orchestra, "The Lark Ascending." We'll hear Scottish violinist Nicola Benedetti in a performance at a London Proms concert a couple of weeks ago. Then we'll be the ones doing the ascending, riding the gondola to the top of the mountain at the Aspen Music Festival. We'll hear Dvorak's Carnival Overture, from a concert last summer at Aspen.

They say it's not an empty nest until the kids get their junk out of the basement. Johannes Brahms was still living at home, still storing his stuff in the basement, at the age of 27. And he wasn't too happy about it. He said he had "as much privacy as a servant with his bed in the kitchen." When Brahms finally moved out, he was so happy he dedicated his next work to his new landlady. The Takacs Quartet and pianist Anton Nel perform that piece, a piano quartet, from a concert last month in Aspen. Plus, another 27-year-old makes his PT debut: American cellist Joshua Roman.

Of all the things that give musicians anxiety dreams, the master class has to be up there at the top. Out on stage alone, not only performing for an audience, but having a master teacher there to stop you and critique everything you're doing. And yet, it's a marvelous learning experience, both for the student and for the audience. Cellist David Finckel and pianist Wu Han give a master class on (what else?) cello and piano sonatas, at the Aspen Festival. Following that, we'll hear them perform a Beethoven cello sonata, from a concert at Aspen last month. Plus, violinist Julia Fischer gives a spectacular performance of a Bach solo violin partita in Aspen.

England and Scotland haven't always been the best of friends. They're both part of Great Britain now, but there's still a bit of healthy rivalry between them. So when Scottish conductor Donald Runnicles brought his orchestra from Glasgow, the BBC Scottish Symphony, down to London to play at the Proms, he did quite a remarkable thing. He chose an all-English program. Effectively out-Englishing the English, one critic called it "the most purely English concert of this Prom season." We'll hear part of that concert, the final two movements of Edward Elgar's First Symphony.

On today's show, music inspired by the grand as well as the grotesque. We'll hear the finale from one of the grandest symphonies ever written, Mahler's Fifth. And our weekly 21st century work, Michael Gandolfi's "As Above," was inspired, at least in part, by water bugs. Plus, we'll hear about one of the most important folks at the Aspen Music Festival: veteran bus driver and classical music fan Dick Miller, who drives the musicians from venue to venue during the festival. PT continues its residency at Aspen all next week.