Performance Today®

England and Scotland haven't always been the best of friends. They're both part of Great Britain now, but there's still a bit of healthy rivalry between them. So when Scottish conductor Donald Runnicles brought his orchestra from Glasgow, the BBC Scottish Symphony, down to London to play at the Proms, he did quite a remarkable thing. He chose an all-English program. Effectively out-Englishing the English, one critic called it "the most purely English concert of this Prom season." We'll hear part of that concert, the final two movements of Edward Elgar's First Symphony.

On today's show, music inspired by the grand as well as the grotesque. We'll hear the finale from one of the grandest symphonies ever written, Mahler's Fifth. And our weekly 21st century work, Michael Gandolfi's "As Above," was inspired, at least in part, by water bugs. Plus, we'll hear about one of the most important folks at the Aspen Music Festival: veteran bus driver and classical music fan Dick Miller, who drives the musicians from venue to venue during the festival. PT continues its residency at Aspen all next week.

Today's show offers evidence of the many ways that music changes people's lives. We'll hear about the Kimbanguist Symphony Orchestra of Kinshasa, in the Democratic Republic of Congo. The musicians in the orchestra are like other Congolese. They struggle with every aspect of daily life: food, shelter, medical care, raising families. And yet, they're immensely dedicated. And music is changing the lives of the dedicated young musicians of the Aspen Festival. We'll hear a couple of knockout performances from Aspen, and meet young Aspen conductor Case Scaglione.

England and Scotland haven't always been the best of friends. They're both part of Great Britain now, but there's still a bit of healthy rivalry between them. So when Scottish conductor Donald Runnicles brought his orchestra from Glasgow, the BBC Scottish Symphony, down to London to play at the Proms, he did quite a remarkable thing. He chose an all-English program. Effectively out-Englishing the English, one critic called it "the most purely English concert of this Prom season." We'll hear part of that concert, the final two movements of Edward Elgar's First Symphony.

All this week and next, host Fred Child will be at the Aspen Music Festival in Aspen Colorado. Performance Today will be coming to you from the studios of Aspen Public Radio. We'll have great performances from Aspen, and hear from the artists themselves what it's like to participate in the nation's largest classical music festival. Conductor Nicholas McGegan calls it "paradise." McGegan leads an A-list cast in a performance of a Vivaldi double violin concerto.

Violinist Joshua Bell remembers being a 15-year-old student at the Aspen Music Festival and School, and how it changed his life. He'll tell the story, and we'll hear Gil Shaham, Cho-Liang Lin, Ingrid Fliter, and others share their Aspen memories. And from this summer's Aspen Music Festival, Joshua Bell joins the Aspen Chamber Symphony to play the Violin Concerto by Felix Mendelssohn. Also from the 2010 Aspen Festival: David Finckel and Wu Han play Beethoven's Cello Sonata No. 2, Ingrid Fliter plays a pair of Chopin Waltzes, and flutist Marina Piccinini and the Brasil Guitar Duo play "Doce de Coco" by Brazilian composer Jacob do Bandolim.

We spent the past week on Performance Today featuring the legendary Marlboro Music Festival in Marlboro, Vermont. Host Fred Child spent some time there recently. It's a rare "republic of equals," as its founder Rudolf Serkin called it, with young professionals and seasoned veterans playing side-by-side. This weekend, we'll hear about the magic of Marlboro from the people who make it their home for seven weeks each summer. Plus, Bruce Adolphe drops by for another Piano Puzzler.

Mitsuko Uchida's phrasing at the piano is lilting and expressive. Her speaking voice can take on similar musical qualities -- swooping melodies, delicate pauses, sudden passionate crescendos, bursts of evocative laughter. Uchida is one of two Artistic Directors at Marlboro Music in Vermont, along with fellow pianist Richard Goode. They'll reflect on the essence of Marlboro, and how their experiences there have changed them. And cellist Peter Wiley takes us inside his rehearsal process this summer at Marlboro, deconstructing and rebuilding the Brahms C-Major Piano Trio. We'll hear the results from a concert three weeks ago, and a pair of chamber pieces for winds by Beethoven and Strauss, all from Marlboro Music in Vermont.

At Marlboro Music in Vermont, every chamber music ensemble brings together top-notch young professional musicians with living legends. Their intense rehearsals continue for weeks at a time, and young players arriving for their first summers at Marlboro can feel intimidated at the prospect. Today, musicians young and old will talk about their wide-eyed awe at arriving at Marlboro for the first time, and how the Marlboro process helped bring out their own creativity and confidence. And we'll hear an all-star septet in concert at Marlboro two weeks ago: harpist Sivan Magen leads a performance of the Introduction and Allegro by Maurice Ravel. Plus, Hilary Hahn plays Beethoven's Violin Concerto at the Proms, and the Cleveland Orchestra plays Rimsky-Korsakov's Scheherazade at Severance Hall.