Performance Today®

"Brooklyn Rider" is musically omnivorous. Every member of this string quartet is classically-trained, but having toured with Yo-Yo Ma and his Silk Road Ensemble for ten years now, they're open to musical flavors from around the world. They'll join Fred in the studio for day two of music and conversation. Brooklyn Rider will play the final movement from Dvorak's "American" Quartet, a set of hauntingly beautiful Armenian folk songs, and a wildly eclectic piece by a member of the group, Colin Jacobsen.

According to Greek Mythology, Orpheus was the first poet-musician, combining the two art forms into something more powerful than either alone could achieve. Franz Liszt loved the myth of Orpheus. On today's show, we'll hear his tone poem, "Orpheus," and hear the words Liszt wrote about him. And another, more modern, musician-writer appears on the show. Noted blogger and pianist Jeremy Denk performs with violinist Ani Kavafian and cellist Gary Hoffman, in a New York City performance of Mendelssohn's Piano Trio No. 2.

Is it a 40-minute joke? It certainly has humor, but the 1903 Symphonia Domestica by Strauss is a serious symphony...that just happens to be inspired by an average day at home with the family. It has musical descriptions of putting the baby to sleep, the alarm clock going off in the morning, playful fights between husband and wife, etc. Our concert was three weeks ago at the Royal Albert Hall in London, Donald Runnicles leads the BBC Scottish Symphony.

Dante's "Inferno" tells the story of Dante's journey to hell, guided by the poet Virgil. He visits the nine circles of hell, and sees all the suffering souls there. At the second circle, a woman named Francesca da Rimini tells Dante her story of her love for Paolo, her marriage to Paolo's evil brother, and the adulterous affair that ensued. Tchaikovsky's tone poem, "Francesca da Rimini," paints vivid pictures of swirling windstorms, remembered love, and eternal, unfulfilled longing. David Robertson leads the BBC Symphony in a performance, from a recent Proms concert.

As the Los Angeles Philharmonic gets ready to welcome new music director Gustavo Dudamel to the podium next month, it's easy to forget that other conductors deliver exciting, powerhouse performances with the Philharmonic. One such memorable concert occurred last season. Spanish conductor Rafael Fruhbeck de Burgos led the L.A. Philharmonic in Beethoven's Symphony No. 8 at Disney Hall. We'll take you there, on today's show. And we'll have highlights from Dudamel's debut concert, coming up on our October 9th show.

Is it a 40-minute joke? It certainly has humor, but the 1903 Symphonia Domestica by Strauss is a serious symphony...that just happens to be inspired by an average day at home with the family. It has musical descriptions of putting the baby to sleep, the alarm clock going off in the morning, playful fights between husband and wife, etc. Our concert was three weeks ago at the Royal Albert Hall in London, Donald Runnicles leads the BBC Scottish Symphony.

The great American guitarist Jason Vieaux is back for day two of music and conversation. Vieaux plays the Spanish classic "Capriccio Arabe" by Francisco Tarrega, Variations on Mozart's Magic Flute by Fernando Sor...and his own classical-style arrangement of a tune by jazz guitarist Pat Metheny. Vieaux also talks about meeting and playing with Pat Metheny. (He says: "It was like meeting a Beatle!")

It may be the gentlest, sweetest version of the Ode to Joy you will ever hear. Last month, the Ukulele Orchestra of Great Britain invited audience members to bring their ukuleles to a concert at the Royal Albert Hall in London. They even scheduled a rehearsal, and a thousand ukulele players learned their arrangement of Beethoven's Ode to Joy. We'll hear how it came together in concert.

Composer John Adams was astonished at the reaction to his sprawling 1982 piece for two pianos, three singers and orchestra, his "Grand Pianola Music." Adams says the "piece genuinely upset people...I meant it neither as a joke...nor as a provocation of any kind. It was rather, in its loudest and most hyperventilated moments, a kind of Whitmanesque yawp, an exhilaration of good humor, certainly a parody and therefore ironic." We'll hear it in all its yawping glory, from a concert last month by the London Sinfonietta at the Proms in London.