Shortly after George Floyd’s murder almost two years ago, clarinetist Anthony McGill came up with his own way of expressing his grief and anger. Find out more in his recent interview with Steve Seel.
St. Olaf College choral conductor Anton Armstrong has been sharing the power and beauty of singing since he was a child. His work in choral music involves breaking down racial and cultural barriers that keep us from uniting in song. Find out more in the latest episode of the 'Rhapsody in Black' podcast.
Composer Reinaldo Moya’s ‘Imagined Archipelagos’ takes us on an evocative journey across imaginary landscapes. Listen now on the latest episode of Extra Eclectic, with host Steve Seel.
In this week’s New Classical Tracks, the Los Angeles Guitar Quartet celebrates 40 years of music making with its new album, ‘Opalescent.’
Steve Staruch speaks with Matthias Maute, the artistic director of the Bach Society of Minnesota, about upcoming concerts featuring a collaboration with the vocal ensemble Cantus.
Listen to music from the films of great directors such as Alfred Hitchcock, Penny Marshall and more on Saturday Cinema, with host Lynne Warfel.
Learn more about bassist, bandleader and pioneer Charles Mingus, regarded as one of the greatest jazz artists of the 20th century.
Guadeloupean Creole composer Joseph Bologne, Chevalier de St. George, was born to a slave woman and rose to join French aristocratic circles as a musician. While sometimes called “the Black Mozart,” find out why he’s far too interesting and multifaceted to be seen as anything but his own in the latest episode of the 'Rhapsody in Black' podcast.
Icelandic composer Johann Johannsson’s posthumously released new work might be his finest. Join host Steve Seel for a selection from the piece on the latest episode of Extra Eclectic, plus works that focus on themes of the natural world.
In this week’s New Classical Tracks, harpist Yolanda Kondonassis uses music to promote conservation efforts with her new album, ‘Five Minutes for Earth,’ just in time for Earth Day.
