Performance Today®

The Roma people (also known as Gypsies) have long lived on the fringes of Eastern European society. But even though they themselves have been marginalized, their influence on classical music has not. In today's show, we'll hear Haydn's "Gypsy Rondo" Trio and the world premiere of Mark O'Connor's "March of the Gypsy Fiddler."

Every day on Performance Today, we hear great musicians in concert. How did they get to be so good? And how do they stay on top of their game? On Fridaya€™s show, we'll meet double bass player David Grossman from the New York Philharmonic. He'll tell us what it's like to live at the bottom of the orchestra, musically speaking, and wea€™ll hear him perform Mozarta€™s Sinfonia Concertante.

The woodwind quintet (flute, oboe, clarinet, bassoon, and horn) has been around for a couple of centuries. One group in particular, though, has been revolutionizing how the music world thinks about quintets. The Imani Winds have been together since 1997, writing much of their own music, and commissioning new works by other composers. As a result, the quintet landscape has forever changed. In today's show, the members of the Imani Winds join host Fred Child in the studio for music and conversation.

The Roma people (also known as Gypsies) have long lived on the fringes of Eastern European society. But even though they themselves have been marginalized, their influence on classical music has not. In today's show, we'll hear Haydn's "Gypsy Rondo" Trio and the world premiere of Mark O'Connor's "March of the Gypsy Fiddler."

Violinist Midori joined host Fred Child in our PT studios recently for an hour of music and conversation. She talked about the singular power of music by Bach ("so spiritual, so cleansing, so difficult") and about the many ways in which she is reaching out to young musicians and young listeners.

Before he was a music celebrity, Beethoven was the new kid in town in Vienna. He was in his mid-20s and slowly earning a reputation as a great pianist and improviser. But nobody really knew if he could write music. Beethoven was eager to prove himself as a composer so he took a toe-tapper of a tune and wrote some virtuosic variations. That earned Beethoven a spot in a heated musical duel. Find out who won and how on Mondaya€™s Performance Today

Yuja Wang is known for her daring confidence and skill at the piano and for her adventurous taste in clothes, but at a recent concert in San Francisco, she took a different kind of risk: playing with a duet partner. The remarkable young Chinese pianist was in town to solo with the orchestra. And, as a fun way to open the concert, conductor Michael Tilson Thomas came out with her at the beginning of the evening. They shared a piano bench to play the Sonata for Piano Four Hands, by Francis Poulenc.

Johannes Brahms wasn't exactly known for writing great xylophone parts. Or any xylophone parts, for that matter. But Arnold Schoenberg apparently thought that was just what Brahms needed. He orchestrated a Brahms piano quartet, and included a juicy part for the xylophone in the last movement. And he threw out the piano part entirely. Just a couple of the "improvements" in a wild, sometimes wacky, and ultimately very satisfying makeover by Arnold Schoenberg. We'll hear it, from a concert in New York.

Of all Mozart's concertos for wind instruments, his clarinet concerto is arguably the finest. Gorgeous melodies, achingly beautiful harmonies. It's a perfect showpiece for what the instrument can do. Martin Frost plays Mozart's masterpiece, his one and only concerto for the clarinet. Plus, the harrowing story of how a near-fatal collision with a train taught Frost how to put work and rest into perspective.