Performance Today®

Violinist Daniel Hope delivers another audio diary entry from the Beaux Arts Trio's final year together. They'll answer the question of how they got their name, and read a fan letter from the Faux Arts Trio. Then they'll play some Schubert in San Francisco, at the last concert of their last U.S. tour.

We'll have performances from two top student orchestras on today's show. The National Orchestral Institute gathers many of the country's best young musicians in Maryland for a month. That's where we'll go to hear Jorge Mester conduct a Mozart Sinfonia. And, from New York City, Stanislaw Skrowaczewski leads the Juilliard Orchestra in Brahms.

Liszt could take the music of just about any composer and create a transcription for piano that sounded like the composer, yet was uniquely Liszt. Pianist Yundi Li offers Liszt's version of Verdi from Baden-Baden, Germany. Then another pianist, Jorge Luis Prats, plays a Liszt transcription of Bach at the Miami International Piano Festival. And Angele Dubeau and La Pieta play a Brahms-Liszt combination in Athens, Georgia.

Music inspired by the misty moors, craggy coasts and swirling seas of Scotland fills our second hour. It culminates in a performance of Mendelssohn's "Scottish" Symphony in Los Angeles by Sir Neville Marriner and the L.A. Philharmonic.

The Bergen Philharmonic is one of the world's oldest orchestras. But the ensemble is gaining fresh acclaim since American conductor Andrew Litton became its music director. During its first U.S. tour in 41 years, the orchestra offered a smashing performance of Tchaikovsky's Fourth in West Palm Beach, Florida.

Conductor Franz Welser-Most says that his interpretation of Robert Schumann's Fourth Symphony is informed by the art and poetry that Germany produced in the Romantic era. Listen to the lush and lovely performance that he and the Cleveland Orchestra deliver at Severance Hall in Cleveland.

The Bergen Philharmonic is one of the world's oldest orchestras. But the ensemble is gaining fresh acclaim since American conductor Andrew Litton became its music director. During its first U.S. tour in 41 years, the orchestra offered a smashing performance of Tchaikovsky's Fourth in West Palm Beach, Florida.

For a concert at this spring's Lucerne Festival, conductor Mariss Jansons and the Bavarian Radio Symphony devoted the evening to music from the operas of Richard Wagner. We'll drop in to hear a pair of great orchestral showcases: "Siegfried's Funeral March" from "Gotterdammerung," and the Overture to "Tannhauser."

Some young pianists may be fleet of fingers, but there's something special about a veteran player who can reach into the depths of a piece and come up with fresh insights from a familiar work. Maurizio Pollini does that when he performs Mozart's Piano Concerto No. 24, conducting the Vienna Philharmonic from the keyboard at the Musikverein in Vienna.