Saturday Cinema

On this week's Flicks in Five, Lynne Warfel looks at the career of Ron Howard, and shares music from his 1995 film, 'Apollo 13'.

One of Robin Williams's most memorable roles was that of unconventional teacher John Keating in 1989's 'Dead Poets Society'. In this week's Flicks in Five, Lynne Warfel will share some of Maurice Jarre's music from that award-winning film.

He considered film music to be 'operas without words' and his movie scores earned three Oscar nominations -- including one win for Best Original Score. This week on Flicks in Five, Lynne Warfel discusses Erich Wolfgang Korngold, and shares music from his soundtrack to 'The Private Lives of Elizabeth and Essex'.

Stanley Kramer became known as a director of 'message movies', taking on tough subjects of the day, but it was his big budget, all-star shot at comedy that endeared him to many. This week on Flicks in Five, Lynne Warfel looks at Kramer's 'It's a Mad, Mad, Mad, Mad World'.

Austrian-born American director Billy Wilder brought us many films in his trademark black and white, but it was his 1958 comedy starring Jack Lemmon, Tony Curtis and Marilyn Monroe that earned him a place in the annals of film history. On this week's Flicks in Five, listen to music from 'Some Like It Hot'.

Alfred Hitchcock arrived in Hollywood in the 1930s, and by the late 1950s, his nine-stroke pencil caricature had become internationally famous. In 1960, Hitch released of one of his best known films, 'Psycho'. On this week's Flicks in Five, Lynne Warfel will share some of Bernard Herrmann's unforgettable music from that soundtrack.

August 1st marks the birthday of film composer Jerome Moross -- best known for his soundtrack music composed for 1958's "The Big Country." On this week's Flicks in Five, Lynne Warfel discusses Moross and that Academy Award-nominated score.

Film composer Randy Newman didn't have Hollywood success handed to him on a silver platter. 'Ragtime' gave Newman a chance to reach new heights.

On this week's Flicks in Five, Lynne Warfel looks at the Michael Giacchino score to 2009's 'Star Trek', which cleverly interweaves elements of Jerry Goldsmith's melodies from the original TV series score from the 1960s.

Summer dusk in the Catskills. The shadows lengthened under the park's lush trees, and the fireflies winked in time to the march's beat as my sixth-grade teacher's daughter played the clarinet in time with her tapping toes. The piccolo pierced the darkening air, and behind me, my mother laughed.