Poster The Catalyst Quartet - The Bach/Gould project
The Catalyst Quartet - The Bach/Gould project
© 2105 Azica Records.
New Classical Tracks®

New Classical Tracks: The Bach/Gould Project

New Classical Tracks: The Catalyst Quartet - Bach/Gould Project

The Catalyst Quartet - The Bach/Gould project (Azica)

"Composed for music lovers, to refresh their spirits." That's the subtitle Bach gave to his Goldberg variations, a set of keyboard pieces thought to be written for a young harpsichordist named Johann Gottlieb Goldberg. In the case of this debut recording from The Catalyst Quartet, music lovers will find their spirits refreshed with a new arrangement of this iconic work.

It was the genius of Bach and of pianist Glenn Gould — the artist responsible for shining a new light on Bach's Goldberg Variations — that provided the initial inspiration for the Bach/Gould Project. "I think the original inspiration came from a sort of programming brainstorming session where we were trying to discover new works, overlooked works, and we stumbled across the Glenn Gould String Quartet," recalls cellist Karlos Rodriguez. "To try and make a case for programming that, the natural next step would be to the play the Goldberg Variations. And following that, we quickly realized that a string quartet version doesn't exist and we'd have to write our own. And so that's how it came to be, originally."

So how did The Catalyst Quartet come to be, you might be wondering? Violinist Karla Donehew-Perez says there was one common denominator that brought them together. "We all participated in the Sphinx Competition," she explains, "and this competition promotes diversity in classical music. … And they have created a lot of educational programs and other endeavors and one of the things that they are very interested in doing is fostering young artists' careers, specifically the alumni of their competition and 5 years ago, they wanted to start a quartet and foster a young string quartet. So that's how we came to be."

According to Karlos, creating this unique four-voiced version of the Goldberg Variations for string quartet was a step-by-step process. "We first all arranged our own versions, four different versions, of the aria, which is the first statement piece of the Goldberg Variations. And then we put that sort of together in a mixed bag of all of our ideas to sort of make sense of that so we were all sort of represented in one piece. And then from that, the 30 variations were divided equally. Of course, we all selfishly chose our favorite variations that we wanted to arrange first. And little by little, we whittled it down to what you hear on the album."

The Catalyst Quartet
The Catalyst Quartet are (L to R) Karlos Rodriguez, cello; Paul Laraia, viola; Karla Donehew-Perez, violin; Jessie Montgomery, violin.
courtesy California Artists Management

Each member of the Catalyst Quartet grew up listening to Glenn Gould's famous recording of these variations, and at first it was that interpretation they had in their heads. Karla says Bach's original manuscript was their guide. "So throughout the whole process, we tried to stay as true to what was written in the score as possible — to the point of even keeping the register the same throughout the whole piece. Of course, there's influence, but that was our main goal."

"I think with any project, you start out with your inspiration sort of thing," Karlos adds. "Or even when you're designing the décor of a room, you have your inspiration piece which informs what pillows and curtains you're going to use. But in the end, that original inspiration could just be the size of a seashell in a huge room. And little by little, the recordings of the Goldberg Variations that exist sort of fade away, and what was being created was the new focus."

It was Gould's only published composition that generated the original focus of this project. As they began to work out their parts for this rarely heard work, Karlos says it was as if they were peeling away the layers to unearth a Bach String Quartet. "It was almost more difficult to make sense of the Gould quartet, and that was almost like uncovering some great masterpiece and trying to make sense of the thing. Because there aren't very many great recordings. But it was, in a way, more challenging because it is so dense and so complex to sort of organize what's going on in that piece. Equally, both sides of the album were a tremendous discovery for us."

The Catalyst Quartet: making new discoveries, and sharing them with you.

Love the music?

Donate by phone
1-800-562-8440

Show your support by making a gift to YourClassical.

Each day, we’re here for you with thoughtful streams that set the tone for your day – not to mention the stories and programs that inspire you to new discovery and help you explore the music you love.

YourClassical is available for free, because we are listener-supported public media. Take a moment to make your gift today.

More Ways to Give

Your Donation

$5/month
$10/month
$15/month
$20/month
$

Latest New Classical Tracks® Episodes

VIEW ALL EPISODES

Latest New Classical Tracks® Episodes

Mezzo-soprano Frederica von Stade brings gratitude to her final recording
56:05
Pianist David Kaplan combines new American compositions with Schumann
29:39
Violinist Augustin Hadelich and pianist Orion Weiss take an American road trip together
35:06
Daphne Gerling and Tomoko Kashiwagi highlight brilliant 20th-century women
32:53
Anna Clyne and the Knights bring folk into classic on new album

Anna Clyne and the Knights bring folk into classic on new album

English composer Anna Clyne incorporates elements of folk music on her latest recording featuring the Knights. Listen as host Julie Amacher speaks to her and Eric Jacobson from the ensemble about their recent collaboration on the latest episode of ‘New Classical Tracks.’

38:36

Jeremy Denk performs Charles Ives' 'The Alcotts'

Oct. 20, 2024, marked the 150th birth anniversary of American composer Charles Ives. Join us in celebrating his life, music and legacy with pianist Jeremy Denk’s captivating performance of Ives’ ‘The Alcotts,’ recorded at Minnesota Public Radio's headquarters in St. Paul.

Guitarist David Leisner returns to 19th-century guitar repertoire with 'Charms to Soothe'
31:51
Violinist Joshua Bell brings forward the music of Thomas De Hartmann on new album
21:05
Composer Tina Davidson embraces vulnerability on new recording
30:42
Gao Hong and Ignacio Lusardi Monteverde improvise together on their new album
30:26
VIEW ALL EPISODES

About New Classical Tracks®

Host Julie Amacher provides an in-depth exploration of a new classical music release each week.

Subscribe on Apple Podcasts, TuneIn, Radio Public, or RSS.

About New Classical Tracks®